![]() Neil Young – Heart Of Gold_ _ When I was studying at Goldsmiths my housemate had the record and wanted it converted into mp3s so I started listening to it. So then I found this meeting point where what I put into the world as a visual artist meets the acoustic. ![]() Sound appeared in my work as a by-product and that took over as a driving force as a reason to make things. In the end I got interested in sound as a medium. ![]() When I started doing art digital synths were coming in. I spent most of my childhood wanting to make music and never found a way of doing it that I enjoyed. “I guess the most obvious thing is I kind of make music but in a very unconventional way. If you have a Spotify account you can hear his choices here but first take a quick read of what Haroon has to say about them. In them, he explores the connections between socio-cultural systems such as religious faith or club culture and their relationships to music. His work manifests itself in many guises, from computer-generated photorealism to self-referencing video and sound installations. In his work he uses art historical references to investigate the perception of space - both visual and auditory. ![]() ![]() Haroon describes himself as a composer of visual and acoustic material. This week it’s chosen by one of our favourite artists Haroon Mirza, who's chosen 10 songs to soundtrack your upcoming weekend. It’s Friday and time for another Phaidon Muse Music playlist. The Venice Biennale Silver Lion winner on the music that gets him in a creative mood Haroon Mirza (top left), 'The National Apavillion of Then and Now' at Venice Biennale 2011 (right) and Kraftwerk (bottom left) Haroon Mirza's Muse Music ![]()
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